Yushi Kaisyakuji

This photograph was taken while observing Japanese macaques in their natural environment. What struck me in that moment was not simply the animals themselves, but the quiet relationship unfolding between them. There was a sense of protection, trust, and calm that felt deeply familiar—almost like a scene from human society. I am often drawn to these subtle interactions. Animals express emotion and social bonds in ways that are incredibly honest and unfiltered. When I photograph them, I am not only documenting wildlife; I am also trying to capture a universal moment of life that transcends species. Receiving this award is both humbling and encouraging. Photography is a long journey of observation and patience, and recognition like this reassures me that the quiet moments I pursue can truly resonate with others.

When selecting a photograph for a competition, I first consider whether the image carries a clear emotional presence. Technical quality is important, but what matters most is whether the photograph conveys a moment that feels alive. I am often drawn to images that reveal subtle relationships between animals. A gesture of protection, a moment of tension, or a quiet interaction can elevate a simple wildlife photograph into something more universal. In the end, my decision is intuitive. I choose the photograph that lingers in my mind long after I have seen it.

Interestingly, the reason I first picked up a camera was quite personal. At the time, there was someone I was very interested in, and photography happened to be her hobby. I thought learning about cameras might give us something to share, so I decided to try it myself. What began as a simple attempt to connect gradually grew into a deep passion. Today, photography has become an important part of my life, and the person who first inspired me to pick up a camera is now my wife.

My favorite genre is wildlife photography, particularly moments that reveal the social relationships between animals. When observing animals—especially Japanese macaques—I often feel that their society reflects aspects of our own. Gestures of protection, hierarchy, affection, and conflict emerge naturally, without any staged narrative. I am also drawn to black-and-white photography, as it removes distractions and emphasizes presence, gesture, and emotion.

My main camera setup is the Sony α1 II paired with the SEL100–400mm GM lens. This combination allows me to capture decisive moments with exceptional precision and image quality. Despite its powerful capabilities, the system remains surprisingly compact and portable, allowing me to spend long hours quietly observing animals in their natural environment. What I value most is its reliability in capturing fleeting moments with clarity and beauty. And of course—Sony, if you’re ever looking for a photographer to sponsor, I’m always ready.

If someone looks at my work, the one thing I hope they feel is the quiet presence of life. Through my photographs, I seek to capture fleeting moments where life gently reveals itself. I hope viewers can pause and sense that presence, as if they are standing there—sharing the same space and breath.

The most challenging aspect is patience. Moments like the one in the photograph cannot be planned or directed. To capture a meaningful interaction, I often spend long periods simply observing and waiting. When the moment finally appears, it lasts only a fraction of a second. For me, wildlife photography is a balance between patience and instinct.

One place that inspires me deeply is Takasakiyama in Japan, home to a large population of wild Japanese macaques. Their social behavior—protection, hierarchy, conflict, and tenderness—often mirrors aspects of human society. With every visit, there are always new moments and relationships to discover.

One photographer who has deeply influenced me is Sebastião Salgado. His work demonstrates how photography can reveal dignity, strength, and humanity through powerful black-and-white imagery. Although I focus on animals rather than human society, I strive to capture moments that express something universal about life.

Photography awards are an opportunity to share your vision with a wider audience. My advice is not to chase trends or try to anticipate what judges want to see. The strongest photographs come from a clear and personal vision.

Learn to observe before you try to capture. Technical skills can always be developed, but the ability to truly see a moment comes from patience and curiosity.

For me, editing and post-processing are not simply technical corrections. They are a continuation of the creative process—a time when I further shape my thoughts within the image. The moment captured in the field is only the beginning. It is in this stage that a photograph gradually becomes a finished work.

I see AI as a tool. Like a knife, it can be used in very different ways. A knife can prepare a beautiful meal, or it can cause harm—the same is true for AI. What ultimately matters is the integrity of the person using it.

If I could photograph anything in the world, I would still choose animals living freely in their natural environment. For me, photography is not about seeking extraordinary subjects, but about discovering meaning in the ordinary moments of life.